Description
Fabric: Dense alluvial clay, generally orange, but can
range from pinkish- to brownish-red in color. The clay is
well-worked and thinly potted. Broken edges can be smooth
or laminated, and display numerous pores and fissures,
with almost no inclusions.
Glaze/Decoration: The interiors of all forms are covered
with a thick white slip through which are incised
multiple concentric circles, curvilinear lines, and
central medallions of stylized zoomorphic or botanical
motifs. The decorations are highlighted with splashes or
stripes of ochre and green copper oxide. Small bowls are
also slipped on the exteriors to just above the footring,
and are sometimes decorated through the slip with incised
and/or painted lines. Larger bowls are slipped on the
exterior about 2/3 down from the rim with a white slip,
and are sometimes decorated on the exterior like the
small bowls. Flanged dishes and bowls are slipped on the
interiors and rim exteriors only. A colorless lead glaze
covers the slipped areas producing a creamy-yellow color.
On exteriors, the unslipped and unglazed fabric appears
glossy brown. Where covered with the colorless lead
glaze, the fabric is a pale brownish-orange. Generally
the glaze is finely-crazed and gray-stained in the
cracks. There is a tendency for heavy spalling.

Forms:
This ware is found in three hollowware forms. The small bowls have slightly thickened
vertical rims and curved walls. There is a short splayed
foot, tooled on the exterior edge and beveled on the
interior. The shallow concave bases display narrow
concentric potting rings. The large bowls have a folded
or slightly everted, grooved rim with curved walls. The
footring is splayed and beveled and the concave base
displays concentric potting rings. The flanged dish or
bowl has a wide upturned flanged rim. It is grooved on
the interior and has a sharply carinated body. Like the
other forms, the footring is splayed and manifests the
characteristic potting rings on the concave base.
Discussion
Reflecting the influence of Middle Eastern and Eastern
Mediterranean ceramics, sgraffito slipwares were produced
in the Po valley region of Northern Italy beginning in
the medieval period. By the 1400s, Pisa, with its
red-firing alluvial clays, became the center of the
Italian slipware market, producing both sgraffito and
marbled slipwares. The wares were distributed throughout
the Mediterranean region and northwest Europe, largely in
the 17th century.
Sgraffito slipwares are commonly found on 17th-century
sites throughout North America. Primarily found in
contexts of the second and early third quarters of the
17th century in Virginia, their presence is thought to be
the result of Dutch commerce with the colony.
Sources
Hurst, John G. et al. (1986) Pottery
produced and traded in north-west Europe 1350-1650.
Rotterdam Papers VI. Museum Boymans-van Beuningen,
Rotterdam, 30-33.
Sites
Jamestown NPS Collections, ca. 2nd quarter 17th
century
Sandys Site, ca. 1630-45
William Drummond Site, ca.1650-1660
Chesopean Site
Hampton (44HT44)
Mathews Manor
Richneck
Claremont Manor (44SY5Q)
Prepared by Merry Outlaw