Description
Fabric: The color is buff, tan, light pink, or light gray
(Munsell 7.5YR 8/4 and 7/4: pink). The fabric is friable
and especially hard for earthenware. It has no visible
inclusions to the naked eye.
Glaze: Overall white tin glaze with numerous polychrome
decorations. The "color scheme is characterized by broad
brush strokes in garish dark and light blue, dark and
light green, red, brown, orange, and purple" (Hurst et
al.1986). The motifs include lozenges, geometric
interlace, checker, and net patterns, sgraffito, fruit
and flowers, and scenes of cavaliers, ladies, and/or
landscapes.
The most common design motifs surviving in museum
collections are the so-called Cavalier dishes. These
incorporate soldiers, sometimes wielding weapons or flags,
and are typical between ca. 1575 and 1650. Also known
during this period, but stopping about 1620, are the
dishes with comedia dell'arte iconography. The comedia
dell'arte is an Italian improvised comedy with stock
characters performed by a traveling troupe that stopped
in small European towns. These shows have a long
tradition, well into medieval times, that continues to
this day.
The backs or outsides of the dishes frequently are
painted with horizontal purple concentric circles. These
bands are not found on ceramic copies from the French or
Low Countries.
Form: Wide range of wheel thrown forms including "flanged
dishes, bowls and tazze with simple rounded rims
sometimes with an internal beading. The dishes and bowls
have angular footed bases which are flat or slightly
concave underneath. The tazze have open, heavily molded
pedestals" (Hurst et al. 1986:12-13).
Discussion
Montelupo is located in the Tuscany region on the Arno
River between the Italian cities of Florence and Pisa.
The Arno feeds into the Ligurian Sea giving Montelupo an
advantage over inland pottery production centers. "In the
16th century Montelupo seems to have obtained a near
monopoly of the polychrome maiolica trade throughout the
Mediterranean as far east as Egypt and westwards to Spain
(thence across to the Americas (Lister &
Lister:1976)) and up the English Channel to both sides of
the North Sea" (Hurst et al. 1986: 12). However, by the
17th century, Italy had "lost its leading role in the
development of European tin glaze and the initiative [had
been] passed to France and the Low Countries. There
continued to be lively and varied production centers
scattered through Italy . . . including the Tuscany
region" (Wilson 1987:169).
Montelupo tin-glazed earthenware has been found on
many 16th- and early 17th-century sites in Britain and
Ireland. In Virginia it has been found on sites that date
to the second quarter of the 17th century.
Sources
Berti, F. (1997) Storia Della Ceramica
Di Montelupo (Volume Primo). AEDO.
Cairola, Aldo (1981) Ceramica Italiana dalle origini a
oggi. Editalia.
Hurst, John G., David S. Neal, and H. J. E. van Beuningen
(1986) Rotterdam Papers VI. Gepubliceerd
door.
Lise, Giorgio (1974) La ceramica italiana del
'600. Silvania Editoriale D'arte.
Lister, Florence C. and R. H. Lister, "Liguiran Maiolica
in Spanish America," Atti Convegno Internazionale
della Ceramica, Centro Ligure per la Storia della
Ceramica, Albiosola, IX (1976), 311-320.
Liverani, Giuseppe (1958) La Maiolica Italiana.
Electra Editrice.
Malle, Luigi maioliche italiane dalle origini al
settecento. Gorlich editore.
Wilson, Timothy (1987) Ceramic Art of the Italian
Renaissance. British Museum Publications.
Sites
Buck Site (44JC568), ca.1630-45
Flowerdew Hundred (44PG64/65)
Mathews Manor
Site J
Jamestown Island (National Park Service)
Governor's Land
Jamestown Rediscovery: Plowzone
Prepared by Seth Mallios